The Cougar Book – interview with Jolie du Pre

4 Comments

All this month on the Logical-Lust blog we have had interviews from the authors of The Cougar Book, edited by Jolie du Pre. Today, we hear from Jolie herself as she talks about her inspiration for The Cougar Book and what went into creating the anthology.

==============
Am I a Cougar? I’m certainly old enough. Cougar women are typically 40 and over, and I’m in my 40′s. As a woman who has been married for over 20 years, I’m not in the market for a younger man. However, if I weren’t married I wouldn’t be opposed to it.

I consider myself young at heart, as well as physically young. Life doesn’t end at 40. Indeed, for some it’s the beginning of a new life. At 40, you are more aware of you who are and of what you want. If you’ve had children, chances are those children are teenagers or out of the house. This is the time when many women, who have spent the earlier part of their lives taking care of others, begin to take care of themselves. This may be the part of your life when you start an exercise program or when you finally get the courage to wear an item of clothing that you’ve avoided, like that short skirt!

Although I don’t live my life as a Cougar, I have a huge appreciation for Cougars. That’s the reason why I decided to pitch to Logical-Lust, The Cougar Book. I enjoyed editing Swing: Adventures in Swinging by Today’s Top Erotica Writers and I enjoyed working with Logical-Lust. Therefore, I knew that if Logical-Lust accepted my idea, The Cougar Book would be a great collection. And it is. The Cougar Book contains 23 stories about older women with younger men, and they are all beautifully written.

What bothered me most about putting this collection together was the amount of stories I had to reject, including some from those who submitted to Swing. I could only accept 23, and it was a tough decision. In the end, the stories I did accept best represented what I wanted for the book. I am also very proud of the fact that these stories represent some of the best in erotica. It is wrong to assume that a small press is unable to put together a collection of stories by some of the best names in erotica. The Cougar Book contains stories by authors Bill Brent, Rachel Kramer Bussel, Donna George Storey, Jeremy Edwards, Madeline Moore, Shanna Germain, and more.

The Cougar Book is my tribute to older women. Older women are not only smart and nurturing, but energetic and sexy. I am very pleased that Valerie Gibson, the original Cougar woman, agreed to write the introduction. Valerie has had a distinguished career introducing the Cougar phenomenon to the US. In addition to authoring Cougar, A Guide for Older Women Dating Younger Men, Valerie has appeared on a variety of radio and television programs including NBC’s Today Show, The Montel Williams Show, The Dr. Phil Show, ABC’s PrimeTime Live, Geraldo-at-Large and more.

COUGAR ON THE PROWL!
Get your copy of THE COUGAR BOOK now!

=======
Jolie du Pre (Joliedupre.com) is a full-time freelance writer who writes for a variety of sites, including Associated Content and Seed.
Jolie is also an editor and author of erotica. Her stories have appeared in a variety of Web sites, in eBook, and in print anthologies including, Cream: The Best of ERWA edited by Lisabet Sarai, Best Lesbian Erotica 2007 edited by Tristan Taormino, Best Erotica 2007 edited by Berbera and Hyde, Purple Panties, edited by Zane, and Making the Hook-Up, edited by Cole Riley, among others. Jolie is the editor of Swing! Adventures in Swinging by Today’s Top Erotica Writers, published by Logical-Lust and Iridescence: Sensuous Shades of Lesbian Erotica, published by Alyson Books.
Jolie is the founder of GLBT Promo (GlbtPromoBlog.com), a promotional group for GLBT erotica and erotic romance. Her lesbian dating site is MeetHerHere.com.

Interview with Randall Lang, a Magnificent Man!

6 Comments

Hello, I’m Randall Lang and I’d like to thank Jim and Zetta of Logical Lust for inviting me here

Randall Lang, author or romance and erotica

Randall Lang, author or romance and erotica

today. For those who are unfamiliar with me, I am a writer of erotic and romantic stories and have been plying my trade for many years. My works include a story contributed to the recent smash success anthology SWING! edited by Jolie DuPre. Please visit me at my website at www.randalllang.com or my blog at www.randalllang.blogspot.com.

Name an author (or authors) whose work you have read or the first time that you enjoyed.

I’m sure that it comes as no surprise to anyone that, as a straight man, I don’t actually read a lot of romance. The numerous books by Morgan Ashbury delicately straddle the line between romance and erotica. Morgan’s work continues to appeal to me because of the unique angles and plot twists that she brings to a story. As much as I hate to admit it, Morgan’s romance stories are usually more ‘hard edged’ and less ‘mushy’ than mine. Now for erotica, we are neck and neck.

How/when did you decide to become a writer?

I had enjoyed writing in high school, although the ‘forced’ aspect of theme production took most of the joy out of it. With the required reading in both high school and college, I formed the mistaken opinion that a writer had to have a PhD in literature and be fluent in several languages in order to produce a readable book. My technical education soon took me away from writing and the idea of writing stories was quickly left behind.

Years later I developed a desire to read books about local history and, in particular, the history of the underground coal mines that were the keystone of the economy where I lived. One of these was Rocket Boys by Homer Hickam, the book that later became the hit movie October Sky. The man had a way of telling his stories in simple language that flowed along as I read, creating clear mental images of the people and places about which he was writing. I found that so impressive that I read several more of his books and thoroughly enjoyed the experience. Well, if he could do it, maybe I could also.

My work at the time was underground, and required me to walk for mile after mile during the twelve hour shifts. With only the sound of my own footsteps in the dark and nearly silent environment, my mind came alive with thoughts, ideas, and stories that would otherwise have been lost to the din of surrounding noise. Hour after hour the thoughts would appear, take shape, and develop into romantic and erotic stories. During my break periods, I began to hand write the stories into a spiral bound tablet that I carried with me. Soon I had numerous stories, and it seemed that, as soon as one was written, another would pop into my head. Once I started compiling them on a computer, books began to take shape. With a pile of stories completed, I began to wonder, “Are they good enough to publish?”

Describe your experience getting published for the first time. Would you have done anything differently?

As I sat with my collection of stories, I had NO idea even how to look for a publisher. A few Google inquiries taught me that what I had written qualified as “erotica”. When I began looking for publishers, I quickly hit what I call the “pink ceiling”. The first publishers I found were interested in works by “Women only” or “GLBT only”. I compiled a long list of publishers and, one by one, read their submission guidelines. My dirty little short stories simply did not seem to fit any of them. Looking back, I sorely wish that Logical Lust had been around. Eventually I stumbled upon a publisher who appeared to deal predominately in whips and chains BDSM books, but also carried some straight erotica. With my ‘what can I lose’ attitude in place, I formatted my stories to that publisher’s requirements, wrote up a transmittal letter with all requested information, and attached my stories. To my surprise, I received a personal reply from the publisher in about a week. Among other recommendations was a suggestion to change my pen name from the “Randy Rider” I had submitted into “Randall Lang”. I am eternally grateful for that. In my naïveté, I had assumed that the author of erotic works was required to have a ‘porn star-esque’ campy name. After a few more communications, I received a contract form that I quickly signed and sent back. With no edits and no further communication, my books shortly appeared on the publisher’s website bearing a couple of completely forgettable and meaningless covers, and entitled, “Sweet Nothings” and “Sweet Nothings 2”. It was an amazing feeling to see my work published and available for sale. In the years that followed, I developed another book of erotic stories and a five volume series, all of which were plopped onto the website without edits, previews, cover design consultation, and in some cases, without signed contract forms. It was not until I began to explore the book loops that I began to get a picture of how the system actually works.

Would I have done anything differently? Probably not. The exhilaration of seeing each new book come up for sale, even with a crappy cover and inaccurate blurb has to be better than submitting endless queries and receiving numerous rejections.

What is one of the nicest things a critic or fan has said about your work?

Considering that most of my work is erotica, I actually get little feedback from readers. My only gauge until recently has been those beautiful blue lines at Fictionwise. As long as the lines are blue or green and not brown, I’m happy. I did receive some nice words from Editor Jolie DuPre after she read my story for the SWING! anthology. Kind words from her are high praise indeed. My newest release, Magnificent Man, was very well received by the editors, but, at this time, I am still awaiting critical reviews. My fingers are crossed.

Does your family/significant other know and support your writing? What do they think?

Before Magnificent Man hit the streets, I had kept my writing a secret from my grown children. Having a Dad who writes ‘dirty books’ is probably not something that they would brag about to their friends. I’ll send each of them a signed copy of Magnificent Man, and if they care to research Randall Lang, they will learn what they will learn. Otherwise, the undertaker can fill them in after he fills me in.

Does your writing turn you on?

Oh HELL yea! If it doesn’t ‘starch me up’, it certainly will not be interesting to the reader. The mind is the most sensitive erogenous zone, and that is the one I wish to stroke.

Name a few references every writer (or writer in your genre(s)) should have.

Let me scream this from my well-worn soapbox! D-I-C-T-I-O-N-A-R-Y!  For GOD’S sake, learn to spell and learn to use a dictionary! Misspelled words are giant gaping potholes in the story that distract the reader from the journey that you have written. DO NOT depend upon ‘spell-check’! Get a dictionary and USE IT! The spelling on the book loops I visit is appalling, and that is from published authors.

A grammar guide is essential. Again, DO NOT rely upon the grammar-check of MS Word. It was developed by Chinese people who went to Argentina for a one-week training course in English. It does not even know the difference between ‘your’ and ‘you’re’ or ‘its’ and ‘it’s’. If you wish to call yourself a writer, you must learn how to punctuate and when to capitalize. One of the absolute best reference sources I have found is http://www.getitwriteonline.com/ . In the archives, they have actual answers for those sticky grammatical questions.

Finally, every writer should have a good thesaurus. When the editor screams about a writer overusing words, the thesaurus will help to correct that problem. I was always taught that, “You don’t have to remember this stuff now, but you must know where to find it later when you need it.” AMEN to that. A writer without reference guides is a blind man driving a bus. Your writing represents you and you DO NOT want it to say ‘moron’.

How do you overcome writer’s block? Any suggestions?

YES, and this was confirmed by a recent discussion in a book loop. When the writing becomes stalled, jump ahead to a scene that you know will be part of the story later on and write that scene. Then simply continue on from there until the muse delivers the connecting prose. I have written as many as three scenes ahead of time and connected them up as the ideas came to me.

Where did the idea for Magnificent Man come from?

Magnificent Man is Don Quixote on a motorcycle. Not literally, but figuratively. I am by nature anachronistic. I believe in the old values of honesty, chivalry, nobility, and faith and I wanted a hero who could share those values, without question, in the face of tormentors who wished to tear him down. But how could I create such a man in today’s world and where could I put him so that he would be accepted and admired? Once I had a hero and a location, the story fell together like the last pieces of a puzzle.

How and where do you do your research?

Most of Magnificent Man takes place in the desert county of the American Southwest. I spent two weeks in Arizona researching the desert, the history, the towns, the people, even the roads of that area. The rest I did using internet research. Magnificent Man takes the main characters on a journey through Arizona, New Mexico, and Texas, and if you use a road map, you can follow them route-by-route, town-by- town, and reservation-by-reservation.  I created an imaginary town where my hero was born, La Mancha, California; everyone should get THAT one, an imaginary town near the Mexican Border, and an imaginary county where an ugly incident occurs. Other than that, places, buildings, etc. are real. I started to use the names of real people but changed my mind.

SWING!

SWING!

This is the point where I shut up and the reader says, “Finally!” Once again, I want to thank Jim and Zetta Brown of Logical Lust Publications for the courtesy that they have extended to me, and I wish them much success on the launch of the print edition of SWING! available now. Please feel free to visit me at my website, www.randalllang.com, or to direct question to me at randymann64@yahoo.com. I remain,

your most humble and obedient servant,

Randall Lang

An EPIC moment for GLBT

2 Comments

You know, as a species, humans are incredibly insensitive towards others in our species. If we were to be viewed and analysed by an outside audience we’d quite probably be described as a communal species, tending to gather in large groups and locations, raise our young in family groups, and generally give the appearance of being civilised.

Why then does such a supposedly caring species spend so much time, and put so much effort, into separative and discriminatory activities? Sure, we can come together in a common cause, but it’s incredibly sad that some of these causes are to the detriment of other groups.

When it comes to writing, those in the industry tend to be very passionate about what they do. It’s no surprise, and there’s nothing at all wrong with passion given the labour of love that writing is to many authors. Writers, organisations, and publishers, tend to be very defensive when it comes to what they consider to be “correct” definitions, writing styles, etc. Look at the down-the-nose view that many “literary” writers and readers take of genre fiction writers, despite the fact the genre fiction sells in the millions every year and is arguably the most popular entertainment medium in the world.

What is it about writing and writers that can often bring out the worst in us? Romance writers frown upon erotica, and are bewildered by “erotic romance” – the bastard spawn of the two, if you were to hear the way it is spoken about. The RWA still abhors the e-publishing industry.  Their sentiment seems to be, “It’s not a book if it’s not in print.” What utter tripe.

With all this posturing, exclusion, and divisiveness, isn’t it wonderful when a ray of beaming light emerges to pierce the gloom of narrow-mindedness?

EPIC

EPIC

EPIC – the ELECTRONICALLY PUBLISHED INTERNET CONNECTION made a recent announcement that GLBT (generally seen as Gay, Lesbian, Bisexual, and Trans-sexual) subject matter will be accepted throughout the categories in its flagship EPIC awards contest. Why is this big news? Well, without it EPIC would be exclusionary. Not every character in every book is a heterosexual. Think about it. And don’t fall into the immediate trap of thinking that GLBT must mean explicit sex. That’s just about as close-minded as you can get.

By making this move, EPIC is showing itself to be a forward-thinking visionary organisation in the publishing industry.

Anne Douglas, EPIC Competition Co-ordinator had this to say:

“In previous years the competition handled this subject by having a separate category GLBT, and while there are two sides to every fence (those writing works with GLBT protagonists who want to be judged with like vs those who don’t see how the sexuality of the protagonists makes a difference) it really wasn’t a particularly fair option.

“You might ask how is it not fair? Well GLBT is not synonymous with Erotic Romance and explicit sex. It’s just not. And it’s not fair to judge say a mystery book against a children’s book against an erotica book just because the protagonists are gay, lesbian, bisexual or trans; or because the main theme in a story is about GLBT issues. I’ll say it again, because it bears repeating: GLBT is not a code word for explicit sex.
“A GLBT work could be a simple and sweet children’s story showing that families come in different shapes and forms.
“A GLBT work could be a no holds barred action adventure novel where the protag (who just happens to be gay) is racing against time to save the world.
“A GLBT work could be a non fiction accounting of an author’s life as they came out to their family and friends, and the repercussions thereof.
“A GLBT work could be an inspirational work detailing the protags journey of reconciling their sexuality with their religion.
“A GLBT contemporary romance could be a work where two same sex high school friends meet much later in life and realise they have loved one another all along and find their HEA with not a sex scene in sight.
“A GLBT fantasy erotic romance could be a work where two women battle a great evil and bring healing to their world via sexual rites.
“See how different all of these potential works are? And only one of them has explicit sexual content. We wouldn’t judge these works against one another if the partnering were opposite sex, why should we separate those who have GLBT partnerings?
“EPIC is a organization open to all members of our society, regardless of social standing, sexuality or race. It is only logical that the competition that same organization runs is as equally open to all.”
It’s very easy to see from what Anne Douglas says that by NOT including GLBT across the board, EPIC could be accused of being discriminatory or exclusionist. In addtion to what Anne had to say, EPIC President Brenna Lyons put forward:
“GLBT does NOT mean sexual content. For instance…just as an example…
Two Daddies and Me

“This is a children’s book about a little girl with two daddies. The blurb is…
Two Daddies and Me shows a day in the life of one little girl named *Libe. Libe’s family is different. She has two dads. Yet, Libe’s life is just like any other child, filled with love, laughter and the routine of daily life! Geared towards preschool aged children of gay and lesbian parents, this book provides the perfect opportunity to show the many aspects of the word “family” and what it can mean in today’s world. (*pronounced Lî-be)

“Are we going to say this book can’t enter, because it shows a gay family?  And there are more…
http://www.alyson.com/children-s-books.html
http://www.afterellen.com/archive/ellen/Print/yabooks.html
http://www.armory.com/~web/gaybooks.html
http://www.prizmbooks.com/zen/

” There are whole companies and lines of companies devoted to GLBT children and YA fiction. Are they any less welcome than anyone else is?”

This decision by EPIC is a brave one and should be whole-heartedly applauded. At a time when others may be twiddling their thumbs and tip-toeing around “sensitive” issues, EPIC has taken the bull by the horns and shown the way forward, just as an industry voice should. Will there be doubtors? Rhetoric? Sadly there will, because humans have that failing, but that will not take anything away from this outstanding move by EPIC.
Jim Brown

Follow

Get every new post delivered to your Inbox.